Wednesday, 29 December 2010

Oni Ayhun - Untitled (OAR003-B) (Original Mix)

Is it tech-house? Is it deep-house? Is it even a sub-genre at all? Could this not be the traditional sound of the original house movement? Any way you look at it, it matters not one iota! This untitled piece by Oni Ayhun is all about the laid back beat with some absolutely beautiful melodies placed delicately on top.

The intro may lead you to think you are about to enjoy a quite aggressive tech-house affair. You'd be wrong though as the euphoric, warped synth notes firmly state that you are heading for some trippy leftfield house for the next eleven minutes and ten seconds. The low bass ripples perfectly compliment the heady highs that this tune creates.

Well worth checking out this hidden gem. It's perfect for both the club and a listening session in the headphones.



Buy Oni Ayhun - Untitled (OAR003-B) (Original Mix) at DJ Tunes

Friday, 17 December 2010

JBAG - X Ray Sex FREE DOWNLOAD!

Back in October, we were lucky enough to interview Jerry Bouthier and he promised us faithfully that JBAG would shortly be releasing their excellent debut single 'X Ray Sex'. Well Jerry has followed up on his word, presenting us with the original mix plus a special bonus remix by French trio Jolie Cherie.

Original Mix

The amount of praise I could lavish upon this single would result in an 2000 word essay. For me, this has been the stand out dance track of the year, and one which I was eagerly awaiting like a kid at Christmas. A deliciously seductive bassline instantly snags your attention, before a crescendo of instruments spoil you rotten with eargasmic entertainment. The hook and drop are both top notch, ramping up the energy whilst at the same time remaining effortlessly chilled and cool. This track will get you dancing without a shadow of a doubt.

JBAG are definitely one to keep your eye on for the future. They already have a string of great remixes floating about on the internet (as well as on Jerry's mix CDs - 'Kitsuné BoomBox' and 'Kitsuné x Ponystep', and judging by the quality of X Ray Sex, they are bound to keep the hits coming. If you only download one track all year, make it this one!



Download JBAG - X Ray Sex (Original Mix)

Jolie Cherie Remix

Trying to remix X Ray Sex is like inventing new Coke. You can try and tinker with the original all you want, but you will never be able to top it. That's why Jolie Cherie have gone well beyond new Coke, straying so far from the original that they have become Pepsi, and have thus established their own identity.

That complicated analogy should now have sparked your interest in hearing the remix. Jolie Cherie have elected for a rather more traditional big room feel, whilst still working to an electro pop framework. The "big chords" are out in force, pumping up the atmosphere and feel good vibe eminating from the track. Louise Prey's superb distorted vocals are still present and used to great effect, helping to cement the song as a peak-time dancefloor destroyer. Jolie Cherie had a tough job remixing X Ray Sex, but they managed to create their own mark on the track, and have turned out a strong addition to the EP.



Download JBAG - X Ray Sex (Jolie Cherie Remix)

Friday, 26 November 2010

Kingdom - Fogs


And the award for the most creative use of a Beyoncé sample goes to.....Kingdom! His track 'Fogs' manages to build an entire song, based solely around a few seconds of chopped up vocals and distorted bass from her 2009 single 'Sweet Dreams'.

From the first second, Fogs displays the originality and uniqueness that we have come to expect from a Kingdom song. Taking the sinister and dark edge, the beat is somewhat simplistic but the production value and variety of sounds keep the song interesting. It's filled with the quirky electro stabs, echoed hand-claps and a deep, sinister bassline.

Whilst not really being a song to dance to, Fogs is a great track to own. You listen to it alone, appreciating and enjoying its individulaity. Fogs would be wasted in a packed club. Most people wouldn't 'get it', they would rather hear Sweet Dreams blasting out instead. And for that reason, it is probably best that tracks like Fogs remain somewhat hidden gems that take effort to find - it makes the reward even sweeter.

Buy Kingdom - Fogs at 7Digital


Monday, 15 November 2010

Kanji Kinetic - Thrill Seeka (Kingdom Remix)


Kingdom is an artist who seems to be producing music for a genre of his own. His diverse use of instruments and the playfully experimental way he arranges his songs means he is churning out banger after banger. This track is the first of two that I want to share.

His remix of 'Thrill Seeka' takes a completely new angle on what is at heart a frantic dirty electro-house tune. All the energy and pace of the original is sapped away and replaced by a lonely, deserted landscape of a track. This is no bad thing though. The song is sectioned off into different drum beats and a variety of other percussion sounds are then thrown in on top. This is followed by a series floor-rumbling low bass ripples. The result - a refreshingly original track which doesn't play by any conventional rules.

Even the cheesily high pitched vocals offer no detraction. Rather than ending up sounding like some 14-year-old bedroom producer, just speeding up an original vocal track, the vocals used for Thrill Seeka work brilliantly as a compliment to the harsh & sparse drum beats. Echoey, moody, stirring - an impressive result considering how they are still at heart some cheesily high pitched vocals!

Buy Kanji Kinetic - Thrill Seeka (Kingdom Remix) at 7Digital


Seb Legrand - Deja'Vu

Seb Legrand has created a beautifully understated gem of progressive house with 'Deja'Vu'. A sparse and deftly understated track, the drums and keys work in perfect harmony to create a luscious tune coming straight out of left field, catching the casual listener quite off guard.

The drums have an air of sophistication to them. They provide an enjoyable surging and pacing, whilst avoiding a 'noise clumping' effect. Legrand then begins chucking a whole host of melodies and synths into this progressive melting pot. The infusion builds up and up until you are clinging on for the drop.

The drop however never really materialises. Instead of an Axwell-esque overt slamming of the piano and kicking of the 'big drum', Legrand gently lowers the track again before beginning a subtle rebuilding, safely landing the listener back down for the final time.

The echo effect on the vocal noise is a pretty touch to a very neat package. Whilst not as in your face as some progressive house, you will struggle to find a track more lovingly crafted than this.

Buy Seb Legrand - Deja'Vu at 7Digital


Deja Vu by Seb Legrand

Tuesday, 9 November 2010

Jack Dixon - Substitute EP

We all know that Dubstep is on a massive slide in terms of buzz. Whilst new talent will continue to enter the genre and shape it in fresh new ways, a sudden overt interest in 'one wobbly style' has torn the scene apart from the seems - scattering artists to all corners of the genre. One such corner is the fast paced, emerging sound of 'future garage'.

Future garage is collecting the hype like it's going out of fashion. And releases like Jack Dixon's latest EP show why so much attention is destined to be centred on this new musical movement.
A review isn't even nessecary, this sound is familiar yet new.

I'll let you decide how to describe the music - because at this point I'm not even sure of the traits of this rapidly evolving genre!


Jack Dixon - Substitute EP Preview by jackdixon

Shinichi Osawa - London

Southern Fried Records - where are you?!?!? Shinichi Osawa's brilliant album 'SO2' was released back in June in Japan. In Europe and America however, fans are still in the dark as to a possible release, with no hint as to whether Osawa's terrific follow up to 'One' will ever actually make it to these distant, foreign shores. Before we all go to our rooms and sulk though, let's just give the track 'London' a moment of our time. London is a sumptuous piece of electronic perfection. Sharing the euphoric traits of Osawa's previous track 'Dreamhunt', it takes the listener on a perfectly chilled voyage. Soft synths complement slightly distorted vocals, whilst low & undercut drums provide a sturdy beat. Though the English capital is given a name-check, it is unclear what exactly the LDN has to do with the track at all. Maybe Shinichi felt homesick there, or maybe he just associates this sound with the city. Either way, it's by far and away the stand out track on SO2 in this humble bloggers opinion. Enjoy.

Buy Shinichi Osawa - SO2 from YesAsia


EXCLUSIVE - Meroz Interview & Mix

Meroz is an artist who has gone down a storm here at Danced On Arrival. His enigmatic and exuberant French house tracks have completely bowled us over. Though he may be American, there's no doubt Meroz has the musical soul of a true Gauloises-smoking, turtleneck-wearing Parisien.

A few months back we reviewed his track 'Summertime Shandy' and were so impressed that we thought we would try and arrange an interview. We wanted to know how he comes up with such great tunes. The man didn't disappoint - sharing everything, from his views on club music to why he couldn't care less about a number one single. He was also kind enough to whip together a little mix for us - chucking in a few exclusive joints aswell. Ladies and gentlemen - I give you Meroz.

DOA: What tunes are you currently spinning?
M: As far as tunes go it's always changing but these artists pretty much make it in there, here's a short list:

Phonat, Vanguard, Solid Bump Crew, Mixchopin, Sedat, GK, Leonardus, DJ Sneak, Paul Johnson, Sebastian Leger (early stuff), Siriusmo, Le Batman, Bitfunk. It all depends on my mood honestly, I'm all over the place.

DOA: What music did you listen to when you were growing up?
M: Mainly rock & hip-hop, but then in about 1992, I started falling in love with the house music scene while still playing drums in rock & hip-hop acts.

DOA: Which artists have influenced your style of music and why?
M: Probably Paul Johnson, anything he does has soul and funk to it. Daft Punk (who didn't they influence) Sebastian Leger - his early stuff was so raw, and Todd Edwards, he has created a style by chopping up songs and making them entirely new.

DOA: Which of your tracks are you most proud of and why?
M: 'Elixir' & 'Lust', These 2 tracks are just meant to be fun for DJ's. I'm proud of how 'Your Lover' did but I never thought it was a strong track, It was meant to be a "B side". That just goes to show that you may not enjoy your creation as much as other people will. Put it [your music] out there, play with it a bit & see what happens. I do have a couple of tracks not yet released that I am extremely proud of so keep a look out.

DOA: What is that organ sample for 'Summertime Shandy' and where on Earth did you find it?
M: For all the old school DJ's out there I found it by "DITC" (digging in the crates) - busting out the dustys!

DOA: If somebody were to offer you a number one single, at the expense of the integrity and originality of your music, would you take it?
M: Hell Nah! Even at number 1 I still wouldn't see any cash, besides at that point you wouldn't really even be considered an artist, just a face and name to market. Besides my music really isn't all that original anyways. it's basically a mash up of French and Chicago house hahaha. I'm just trying to have fun making music and if other people enjoy it... well that is awesome!!

DOA: What projects are you currently working on?
M: About 5 projects - I better get my ass moving! A few singles, a couple of remixes and a joint-effort between Mykill & myself.

DOA: Where would you hope to see yourself in five years time?
M: Still making music, hopefully a little better off but either way I'm ok with where I am now. I should be out playing more shows though.

DOA: There is a lot of hype about nu-disco and a renaissance in French touch, do you believe that nu-disco can really replace tech-house as the choice genre amongst the majority of club DJ's?
M: Probably not, but I believe the nu-disco, French touch blah blah blah - whatever they want to call it next week - is making its way back into boring straight tech-house sets. I love all the styles but too much of anything loses my interest. There are a ton of new artists doing their thing and I hope to see more of it get supported. "House Music"

DOA: If you could work with any DJ/producer, who would it be and why?
M: Todd Edwards, only because I want to see him chop up those tracks like he does. But straight up producer wise goes to Brian Eno. That guy man - anywhere from Roxy Music to U2, besides the fact on his solo record he snuck in a girl pissing on his album cover - that is some real talent!

Meroz's MySpace
Buy Meroz tracks from Beatport


Tuesday, 26 October 2010

BeatauCue - Disque Oh!

BeatauCue have put up a preview of their latest track 'Disque Oh!' and I'm happy to report that more indie-electro treats have been served up for the dance music community.

Disque Oh! follows in the footsteps of 'Bus' and their recent remix of Kylie's 'Get Outta My Way'. This means you should expect long, progressive breakdowns and then fast-paced, hectic drops. All this smothered in some chopped up computerised vocals - lovely stuff!

Whilst nothing original or spectacular, the tune puts a big tick on all the boxes and is thoroughly enjoyable. It will be available on Kitsune Maison Compilation 10, released November 29.

Pre-Order Kitsune Maison Compilation 10


BeatauCue - Disque Oh! (preview) by BeatauCue

Surkin - Fan Out (Light Year Remix)

Australians are a lucky bunch aren't they? They have stacks of beautiful women, fantastic weather, a great standard of living and are born winners at seemingly every sport! That is why I cannot stand that they also seem to be hemorrhaging fantastic dance music at a near fatal rate. Sydney duo, Light Year, are just another example of the fantastic talent coming out of Oz at the moment.

Their remix of 'Fan Out' by Surkin proves that these two boys certainly seem to have the Midas touch, as do many of their fellow countrymen. In this case, it's the little touches that prove golden nuggets of inspiration.

Wilst they have kept almost all of the same elements of the original version of Fan Out, Light Year have given the track a spike of energy and pointed it firmly in a more electro-house direction. The bouncing bassline will pound the highest & lowest ranges of your speakers whilst the chopped up vocals are given a fresh burst of life thanks to some added vocal effects.

Well worth a purchase.


Buy Surkin - Fan Out (Light Year Remix)

ODahl - Never 2 Much (Original Mix)



It takes a brave man to sample Luther Vandross and do his amazing voice justice. It takes an even braver man to take the hook from a certified Vandross classic, lay it over a song from a completely different genre, and then have a studio singer come in and cover it instead.

Therefore, it is with some astonishment, that I give you ODahl's 'Never 2 Much'. The lyrics are of course the sample of Vandross' '81 smash 'Never Too Much', which although used well, are not spectacular.

The lyrics however, only serve as a compliment to what is a lovely laid back groove. Lush deep synths and clinical kicks really keep the tempo pumping whilst not breaking into a sweat of any kind. It's relaxed yet energised, involving yet submissive. A definite tune to let loose with as the night begins to wind down.

Buy ODahl - Never 2 Much (Original Mix)



Tuesday, 19 October 2010

Diagram Of The Heart - If I Were You (Riva Starr Club Mix)



Riva Starr has cobbled together a bit of a gem with this
tubthumping number. Remixing 'If I Were You' by Diagram Of The Heart, Riva has cut and spliced the melodic guitar riff and thrown it over a low funky beat.

Whilst 'I Was Drunk' grabbed your attention immediately with its eccentric catchiness, this latest offering plods along nicely, building up steam like an eighteenth century locomotive on a downhill sprint, finally hitting you between the eyes with a nice drop after some lovely looped-up vocals and half step drums.

Yet to be released, this track is definetly one to keep your eye on in the future.

Watch Diagram Of The Heart - If I Were You (Riva Starr Club Mix) On YouTube

EXCLUSIVE - Jerry Bouthier Interview

"We’d rather do less but give it our whole, there’s too much trash out there if you ask us." - With a philosophy like this, it's no wonder that French DJ/Producer Jerry Bouthier has rapidly become a figurehead for the chic sound of indie-dance.

Although growing up in Paris, Bouthier first rose to prominence in England. He circulated as a DJ amongst London's eclectic nightlife before making a splash at BoomBox, Richard Mortimer's trendy East-end club that became a symbol of the capital's sophisticated dance scene.

The scent of style coming from BoomBox was soon sniffed by über-cool label Kitsuné, who snapped up Bouthier for a regular DJ slot and a mix CD - known as 'Kitsuné BoomBox'.

The life of BoomBox was short but sweet. However in 2008, it's natural offspring, Ponystep, was launched. Ponystep is Mortimer's fashion/style webmag that also features a parade of lavish parties and club nights. A lynchpin of its success was again the talent of Bouthier, who along with Andrea Gorgerino, performed a regular DJ slot under their moniker of JBAG.

With the London club scene now conquered, Bouthier and JBAG have branched out into the wider international sphere. The duo have become synonymous with fashion, with JBAG regularly providing soundtracks for major modeling shows and designers' events (such as Vivienne Westwood). It's not just their mixing that has caught the ear though. JBAG have begun to release their own productions and remixes, garnering a lavish amount of praise for their effortlessly cool tracks and catchy melodies.

Most recently, Kitsuné have come calling again for Bouthier, this time releasing 'Kitsuné x Ponystep', a mix CD that encapsulates the unique sound and vibrant atmosphere of a Ponystep event. With a bright future and a busy schedule ahead, DancedOnArrival caught up with the man himself to find out more about this Franglish icon -

DOA: What are your favourite songs you’re spinning at the moment?
JB: JBAG feat Louise Prey ‘X Ray Sex’
Everything Everything ‘MY KZ, UR BF (Original Mix & Grum Remix)’
Bunny Lake ‘Army Of Lovers (JBAG's hot pop Remix)’
Kylie ‘Get Outta My Way (BeatauCue Remix)’
Amari ‘Tiger (Cecile Remix-JB edit)’
Chemical Brothers ‘Swoon’ (Original & Boys Noize 'Summer' Remix)’
Doctor's Cat ‘Feel The Drive (JB edit)’
Passion Pit ‘The Reeling (Yasutaka Nakata Capsule remix-JB edit)’
The Sneekers ‘Teletronik’
Janelle Monáe vs Nancy Sinatra ‘This Tightrope's Made for Walkin (Party Ben edit)’

DOA: Which of JBAG's remixes or original songs are you most proud of and why?
JB: These works become like our children, you like them for what they are despite of their imperfections, we wouldn’t put out tracks we’re not happy with, we’d rather do less but give it our whole, there’s too much trash out there if you ask us. But since you’re asking, as far as our remixes go, our version of Kylie’s ‘BoomBox’ gets full points for party atmosphere (we did try to emulate the madness of our club BoomBox), our Sparks re-rub ‘Good Morning’ is our most rockin’ effort yet, the Ladyhawke song we’ve remixed (‘My Delirium’) is one of the best on her album, well worth kicking off our JBAG’s hot pop direction with… Now saying this, the next project is always the most exciting one.

DOA: You split a lot of your time between London and Paris, do you feel each city helps to craft your sound?
JB: Definitely, I grew up in Paris and I’ve been in London a long time. I’m a pure product of both cities. I’d like to think I’m a bit 50/50 these days.

DOA: How would you describe the atmosphere at a Ponystep event?
JB: Unique, fun, inspiring, silly & unpredictable.

DOA: Will the fantastic single 'X-Ray Sex' be getting the release it rightly deserves soon?
JB: Yes, we’re going to give it to blogs soon and it will be on sale digitally too. We’re awaiting some remixes to add to the package and have started a collaboration with some nice London-based graphic designers named Julia, they are going to look after the artwork of our releases.

DOA: What was it like working with Louise Prey?
JB: Louise is really nice. She had a baby recently, congratulations dear! We still haven’t seen it because she now lives in Sheffield where her boyfriend’s from. She knows the score. She might have a little girl’s voice, but she’s seen a lot and doesn’t take shit from anyone. She was in Ping Pong Bitches, a great all girl band as only London could have spawned it.

DOA: What projects are you currently working on?
JB: New JBAG tracks and a remix of ‘Theme From S-Express’ for our good old friend Mark Moore, (almost) a dream come true.

DOA: Your known as a 'go-to-guy' for fashion soundtracks, how important is fashion in your life and work?
JB: Fashion shows are a lot of fun and always a different experience, we do all Vivienne Westwood shows and other designers, it’s a big part of our activity. It’s great to work with people that aren’t musicians but still very excited about music as most fashion designers are. Music’s part of their world in a spontaneous way that’s refreshing. Shows often have a rock’n’roll dimension, music’s played loud to a thrilled packed house. The effect can be very powerful. It’s interesting to mix all these segments of tunes, overlap them, add effects and create a whole new 10’ soundtrack with its own atmosphere from that. It’s almost like surgery, quite intricate. You can totally remodel music to your own needs these days, it’s insane.

DOA: If you could work with any DJ/producer at the moment, who would it be?
JB: We’ve fell in love with Cecile, this Italian producer is sublime, he comes up with fantastic melodies. Would be amazing to do a track together – if you’re reading mister Cecile… We’re about to work with a Parisian band called Jolie Cherie, we’re going to help them produce some tracks and we’ll probably do something for JBAG with Etienne de Champfleury the main composer also a vocalist or the whole band even. He’s very talented.





Buy Kitsuné x Ponystep (CD)


JBAG feat Louise Prey 'X Ray Sex' by JBAG London


Friday, 8 October 2010

Evil Nine - Stay Up (Original Mix)


'Stay Up' is the latest release from Evil Nine. The track is an uptempo, high energy dancefloor stomper with style. An electro tune firmly grounded in traditional house, Stay Up sounds like the illegitimate offspring of the Mortal Combat theme and 'Rhythim Vs Rhythim - Strings Of Life'.

The electro stabs are simple but effective. The minimalist approach keeps the tune in check, giving the listener enough lead to dance without the track seeming too crammed with instruments and becoming a hazy blur of noise. The same applies to the breaks, the change in style is common and well executed without ever giving a chaotic impression. A top track for the iPod as well as the club.

Buy Evil Nine - Stay Up (Original Mix)

Classic Track #002: Todd Terry - Something Goin' On (Tees Remix)


There is no need to introduce Todd Terry. The man is an icon of dance music and is still to date, a DJ that can command a huge fee for an appearance. 'Something Goin' On' was the house legend's highest charting single in the U.K. (reaching number 5) and is still, in this humble blogger's opinion, one of his finest tracks.

Released in the summer of 1997, the vocals are provided by Martha Wash and the instantly recognisable Jocelyn Brown. These two diva's are the figureheads for the song. Though each component is well placed, it is the soul stylings of Brown and Wash that hog your attention and keep your ears well and truly focused on the track.

This leaves Todd Terry's immaculate production to work away quietly in the background. The snare, hats, drums, melody and bass are all beautifully inter-woven, yet hugely understated. The song never makes an impression, but that is a great thing! It lets you drift into the vibe, feeling the groove at an almost subconcious level, whilst the two sassy voices steal the limelight in the forefront of your mind.

Something Goin' On is still to this day, a perfect definition of the beauty of house music. The snare and drums are trademark Terry, whilst the improvisational-esque final two minutes are a nice touch on what is a golden tune. If you want to know what the sound of mid-90's house was, than look no farther than this.

Buy Todd Terry - Something Goin' On (Digital
)
Buy Todd Terry - Something Goin' On (CD & 12")
Buy Ready For A New Day (Album featuring Something Goin' On)

Thursday, 7 October 2010

Rob Threezy - The Change Up (Jokers Of The Scene Remix)

Record label Nightshifters have just released 'Nightshifters: Selection One', and with the release of this compilation, it's a perfect chance to bring up the monster track that is 'Rob Threezy - The Change Up (Jokers Of The Scene Remix)'!!!

Originally released last May, Jokers Of The Scene's remix is downright intimidation of the highest order. A murky bass line lingers over a simple snare and piano medley, drawing you in with its presence whilst remaining in the background. As the seconds turn into minutes however, that distorted bass grows, grabs hold and refuses to let go.

The track is insanely danceable to. Even a serious fit or series of major twitches would still seem rhythmic when accompanied by this scorching electro house beat. The track is direct and dirty, yet elegant in an understated way. The piano arrangement around the bass is carefully placed and the sudden breaks in the song give the aura of a late 80's hip-hop jam, allowing the listener to psych themselves up for the next drop - top stuff!

Buy Rob Threezy - The Change Up (Jokers Of The Scene Remix)


60 Seconds With Tony Lionni


With the release of 'As One' next week, Danced On Arrival caught up for a brief chat with Tony Lionni, the man behind the beautiful 'Found A Place' and one of the best house/techno producers around.

DOA: 'Found A Place' proved to be a big hit for you, did you ever think it would be so adored by clubbers and critics alike?
TL: The music market is a very unpredictable one at the moment. It's simply a case of getting music to the right people at the right time via the right media. I always have faith in my music, it's down to the public afterwards whether or not it has a lemmings effect.

DOA: Which of your tracks are you most proud of?
TL: All of them.

DOA: Growing up, what kind of music and artists did you listen to?
TL: From a very early age disco, soul and jazz funk, then later when hip hop and electro arrived developing into jazz, reggae etc...

DOA: What is your philosophy towards dance music?
TL: What ever makes you move. As an artist you have to find yourself and your sound signature as Theo said.

DOA: When you first started producing, which artists influenced your sound?
TL: Ron Trent, Theo Parrish, Kerri Chandler, before that in 1988 - Todd Terry, Adonis etc..

DOA: What were your ambitions for 'As One' when it came to making it?
TL: To compile an album which reflects the electronic and deep house side of my productions as I also write techno and tech house.

DOA: Do you think the quality of house music, on the whole, is currently in decline or ascendancy?
TL: It's exactly the same as it's been for the last 10 years or so and hasn´t moved on that much in the last 6 or 7 years, but there's still plenty of scope. It's simply media talk jumping on the bandwagon that house music's dead.

DOA: Following your album launch, what have you got noted down in your schedule?
TL: World tour and a couple of remixes coming out.

DOA: If you could work with any DJ/producer at the moment, who would it be?
TL: To be honest probably no one as from past experiences, for me, it doesn´t work. It becomes too claustrophobic and cluttered.

Buy 'Tony Lionni - As One' at Play.com
Buy 'Tony Lionni - As One' at 7Digital




Monday, 27 September 2010

Aeroplane - We Can't Fly

Just a quick reminder to everyone that Aeroplane's fantastic new album comes out today (27/9/10). A top-draw effort from one of the most exciting artists in dance music today.

Buy from Amazon UK
Buy from 7 Digital