Tuesday, 26 October 2010

BeatauCue - Disque Oh!

BeatauCue have put up a preview of their latest track 'Disque Oh!' and I'm happy to report that more indie-electro treats have been served up for the dance music community.

Disque Oh! follows in the footsteps of 'Bus' and their recent remix of Kylie's 'Get Outta My Way'. This means you should expect long, progressive breakdowns and then fast-paced, hectic drops. All this smothered in some chopped up computerised vocals - lovely stuff!

Whilst nothing original or spectacular, the tune puts a big tick on all the boxes and is thoroughly enjoyable. It will be available on Kitsune Maison Compilation 10, released November 29.

Pre-Order Kitsune Maison Compilation 10


BeatauCue - Disque Oh! (preview) by BeatauCue

Surkin - Fan Out (Light Year Remix)

Australians are a lucky bunch aren't they? They have stacks of beautiful women, fantastic weather, a great standard of living and are born winners at seemingly every sport! That is why I cannot stand that they also seem to be hemorrhaging fantastic dance music at a near fatal rate. Sydney duo, Light Year, are just another example of the fantastic talent coming out of Oz at the moment.

Their remix of 'Fan Out' by Surkin proves that these two boys certainly seem to have the Midas touch, as do many of their fellow countrymen. In this case, it's the little touches that prove golden nuggets of inspiration.

Wilst they have kept almost all of the same elements of the original version of Fan Out, Light Year have given the track a spike of energy and pointed it firmly in a more electro-house direction. The bouncing bassline will pound the highest & lowest ranges of your speakers whilst the chopped up vocals are given a fresh burst of life thanks to some added vocal effects.

Well worth a purchase.


Buy Surkin - Fan Out (Light Year Remix)

ODahl - Never 2 Much (Original Mix)



It takes a brave man to sample Luther Vandross and do his amazing voice justice. It takes an even braver man to take the hook from a certified Vandross classic, lay it over a song from a completely different genre, and then have a studio singer come in and cover it instead.

Therefore, it is with some astonishment, that I give you ODahl's 'Never 2 Much'. The lyrics are of course the sample of Vandross' '81 smash 'Never Too Much', which although used well, are not spectacular.

The lyrics however, only serve as a compliment to what is a lovely laid back groove. Lush deep synths and clinical kicks really keep the tempo pumping whilst not breaking into a sweat of any kind. It's relaxed yet energised, involving yet submissive. A definite tune to let loose with as the night begins to wind down.

Buy ODahl - Never 2 Much (Original Mix)



Tuesday, 19 October 2010

Diagram Of The Heart - If I Were You (Riva Starr Club Mix)



Riva Starr has cobbled together a bit of a gem with this
tubthumping number. Remixing 'If I Were You' by Diagram Of The Heart, Riva has cut and spliced the melodic guitar riff and thrown it over a low funky beat.

Whilst 'I Was Drunk' grabbed your attention immediately with its eccentric catchiness, this latest offering plods along nicely, building up steam like an eighteenth century locomotive on a downhill sprint, finally hitting you between the eyes with a nice drop after some lovely looped-up vocals and half step drums.

Yet to be released, this track is definetly one to keep your eye on in the future.

Watch Diagram Of The Heart - If I Were You (Riva Starr Club Mix) On YouTube

EXCLUSIVE - Jerry Bouthier Interview

"We’d rather do less but give it our whole, there’s too much trash out there if you ask us." - With a philosophy like this, it's no wonder that French DJ/Producer Jerry Bouthier has rapidly become a figurehead for the chic sound of indie-dance.

Although growing up in Paris, Bouthier first rose to prominence in England. He circulated as a DJ amongst London's eclectic nightlife before making a splash at BoomBox, Richard Mortimer's trendy East-end club that became a symbol of the capital's sophisticated dance scene.

The scent of style coming from BoomBox was soon sniffed by über-cool label Kitsuné, who snapped up Bouthier for a regular DJ slot and a mix CD - known as 'Kitsuné BoomBox'.

The life of BoomBox was short but sweet. However in 2008, it's natural offspring, Ponystep, was launched. Ponystep is Mortimer's fashion/style webmag that also features a parade of lavish parties and club nights. A lynchpin of its success was again the talent of Bouthier, who along with Andrea Gorgerino, performed a regular DJ slot under their moniker of JBAG.

With the London club scene now conquered, Bouthier and JBAG have branched out into the wider international sphere. The duo have become synonymous with fashion, with JBAG regularly providing soundtracks for major modeling shows and designers' events (such as Vivienne Westwood). It's not just their mixing that has caught the ear though. JBAG have begun to release their own productions and remixes, garnering a lavish amount of praise for their effortlessly cool tracks and catchy melodies.

Most recently, Kitsuné have come calling again for Bouthier, this time releasing 'Kitsuné x Ponystep', a mix CD that encapsulates the unique sound and vibrant atmosphere of a Ponystep event. With a bright future and a busy schedule ahead, DancedOnArrival caught up with the man himself to find out more about this Franglish icon -

DOA: What are your favourite songs you’re spinning at the moment?
JB: JBAG feat Louise Prey ‘X Ray Sex’
Everything Everything ‘MY KZ, UR BF (Original Mix & Grum Remix)’
Bunny Lake ‘Army Of Lovers (JBAG's hot pop Remix)’
Kylie ‘Get Outta My Way (BeatauCue Remix)’
Amari ‘Tiger (Cecile Remix-JB edit)’
Chemical Brothers ‘Swoon’ (Original & Boys Noize 'Summer' Remix)’
Doctor's Cat ‘Feel The Drive (JB edit)’
Passion Pit ‘The Reeling (Yasutaka Nakata Capsule remix-JB edit)’
The Sneekers ‘Teletronik’
Janelle Monáe vs Nancy Sinatra ‘This Tightrope's Made for Walkin (Party Ben edit)’

DOA: Which of JBAG's remixes or original songs are you most proud of and why?
JB: These works become like our children, you like them for what they are despite of their imperfections, we wouldn’t put out tracks we’re not happy with, we’d rather do less but give it our whole, there’s too much trash out there if you ask us. But since you’re asking, as far as our remixes go, our version of Kylie’s ‘BoomBox’ gets full points for party atmosphere (we did try to emulate the madness of our club BoomBox), our Sparks re-rub ‘Good Morning’ is our most rockin’ effort yet, the Ladyhawke song we’ve remixed (‘My Delirium’) is one of the best on her album, well worth kicking off our JBAG’s hot pop direction with… Now saying this, the next project is always the most exciting one.

DOA: You split a lot of your time between London and Paris, do you feel each city helps to craft your sound?
JB: Definitely, I grew up in Paris and I’ve been in London a long time. I’m a pure product of both cities. I’d like to think I’m a bit 50/50 these days.

DOA: How would you describe the atmosphere at a Ponystep event?
JB: Unique, fun, inspiring, silly & unpredictable.

DOA: Will the fantastic single 'X-Ray Sex' be getting the release it rightly deserves soon?
JB: Yes, we’re going to give it to blogs soon and it will be on sale digitally too. We’re awaiting some remixes to add to the package and have started a collaboration with some nice London-based graphic designers named Julia, they are going to look after the artwork of our releases.

DOA: What was it like working with Louise Prey?
JB: Louise is really nice. She had a baby recently, congratulations dear! We still haven’t seen it because she now lives in Sheffield where her boyfriend’s from. She knows the score. She might have a little girl’s voice, but she’s seen a lot and doesn’t take shit from anyone. She was in Ping Pong Bitches, a great all girl band as only London could have spawned it.

DOA: What projects are you currently working on?
JB: New JBAG tracks and a remix of ‘Theme From S-Express’ for our good old friend Mark Moore, (almost) a dream come true.

DOA: Your known as a 'go-to-guy' for fashion soundtracks, how important is fashion in your life and work?
JB: Fashion shows are a lot of fun and always a different experience, we do all Vivienne Westwood shows and other designers, it’s a big part of our activity. It’s great to work with people that aren’t musicians but still very excited about music as most fashion designers are. Music’s part of their world in a spontaneous way that’s refreshing. Shows often have a rock’n’roll dimension, music’s played loud to a thrilled packed house. The effect can be very powerful. It’s interesting to mix all these segments of tunes, overlap them, add effects and create a whole new 10’ soundtrack with its own atmosphere from that. It’s almost like surgery, quite intricate. You can totally remodel music to your own needs these days, it’s insane.

DOA: If you could work with any DJ/producer at the moment, who would it be?
JB: We’ve fell in love with Cecile, this Italian producer is sublime, he comes up with fantastic melodies. Would be amazing to do a track together – if you’re reading mister Cecile… We’re about to work with a Parisian band called Jolie Cherie, we’re going to help them produce some tracks and we’ll probably do something for JBAG with Etienne de Champfleury the main composer also a vocalist or the whole band even. He’s very talented.





Buy Kitsuné x Ponystep (CD)


JBAG feat Louise Prey 'X Ray Sex' by JBAG London


Friday, 8 October 2010

Evil Nine - Stay Up (Original Mix)


'Stay Up' is the latest release from Evil Nine. The track is an uptempo, high energy dancefloor stomper with style. An electro tune firmly grounded in traditional house, Stay Up sounds like the illegitimate offspring of the Mortal Combat theme and 'Rhythim Vs Rhythim - Strings Of Life'.

The electro stabs are simple but effective. The minimalist approach keeps the tune in check, giving the listener enough lead to dance without the track seeming too crammed with instruments and becoming a hazy blur of noise. The same applies to the breaks, the change in style is common and well executed without ever giving a chaotic impression. A top track for the iPod as well as the club.

Buy Evil Nine - Stay Up (Original Mix)

Classic Track #002: Todd Terry - Something Goin' On (Tees Remix)


There is no need to introduce Todd Terry. The man is an icon of dance music and is still to date, a DJ that can command a huge fee for an appearance. 'Something Goin' On' was the house legend's highest charting single in the U.K. (reaching number 5) and is still, in this humble blogger's opinion, one of his finest tracks.

Released in the summer of 1997, the vocals are provided by Martha Wash and the instantly recognisable Jocelyn Brown. These two diva's are the figureheads for the song. Though each component is well placed, it is the soul stylings of Brown and Wash that hog your attention and keep your ears well and truly focused on the track.

This leaves Todd Terry's immaculate production to work away quietly in the background. The snare, hats, drums, melody and bass are all beautifully inter-woven, yet hugely understated. The song never makes an impression, but that is a great thing! It lets you drift into the vibe, feeling the groove at an almost subconcious level, whilst the two sassy voices steal the limelight in the forefront of your mind.

Something Goin' On is still to this day, a perfect definition of the beauty of house music. The snare and drums are trademark Terry, whilst the improvisational-esque final two minutes are a nice touch on what is a golden tune. If you want to know what the sound of mid-90's house was, than look no farther than this.

Buy Todd Terry - Something Goin' On (Digital
)
Buy Todd Terry - Something Goin' On (CD & 12")
Buy Ready For A New Day (Album featuring Something Goin' On)

Thursday, 7 October 2010

Rob Threezy - The Change Up (Jokers Of The Scene Remix)

Record label Nightshifters have just released 'Nightshifters: Selection One', and with the release of this compilation, it's a perfect chance to bring up the monster track that is 'Rob Threezy - The Change Up (Jokers Of The Scene Remix)'!!!

Originally released last May, Jokers Of The Scene's remix is downright intimidation of the highest order. A murky bass line lingers over a simple snare and piano medley, drawing you in with its presence whilst remaining in the background. As the seconds turn into minutes however, that distorted bass grows, grabs hold and refuses to let go.

The track is insanely danceable to. Even a serious fit or series of major twitches would still seem rhythmic when accompanied by this scorching electro house beat. The track is direct and dirty, yet elegant in an understated way. The piano arrangement around the bass is carefully placed and the sudden breaks in the song give the aura of a late 80's hip-hop jam, allowing the listener to psych themselves up for the next drop - top stuff!

Buy Rob Threezy - The Change Up (Jokers Of The Scene Remix)


60 Seconds With Tony Lionni


With the release of 'As One' next week, Danced On Arrival caught up for a brief chat with Tony Lionni, the man behind the beautiful 'Found A Place' and one of the best house/techno producers around.

DOA: 'Found A Place' proved to be a big hit for you, did you ever think it would be so adored by clubbers and critics alike?
TL: The music market is a very unpredictable one at the moment. It's simply a case of getting music to the right people at the right time via the right media. I always have faith in my music, it's down to the public afterwards whether or not it has a lemmings effect.

DOA: Which of your tracks are you most proud of?
TL: All of them.

DOA: Growing up, what kind of music and artists did you listen to?
TL: From a very early age disco, soul and jazz funk, then later when hip hop and electro arrived developing into jazz, reggae etc...

DOA: What is your philosophy towards dance music?
TL: What ever makes you move. As an artist you have to find yourself and your sound signature as Theo said.

DOA: When you first started producing, which artists influenced your sound?
TL: Ron Trent, Theo Parrish, Kerri Chandler, before that in 1988 - Todd Terry, Adonis etc..

DOA: What were your ambitions for 'As One' when it came to making it?
TL: To compile an album which reflects the electronic and deep house side of my productions as I also write techno and tech house.

DOA: Do you think the quality of house music, on the whole, is currently in decline or ascendancy?
TL: It's exactly the same as it's been for the last 10 years or so and hasn´t moved on that much in the last 6 or 7 years, but there's still plenty of scope. It's simply media talk jumping on the bandwagon that house music's dead.

DOA: Following your album launch, what have you got noted down in your schedule?
TL: World tour and a couple of remixes coming out.

DOA: If you could work with any DJ/producer at the moment, who would it be?
TL: To be honest probably no one as from past experiences, for me, it doesn´t work. It becomes too claustrophobic and cluttered.

Buy 'Tony Lionni - As One' at Play.com
Buy 'Tony Lionni - As One' at 7Digital